Press
March 2022 - The Sorcerer:
"It seems unfair to choose among some many exquisite moments of rapture, but here we go: The sweetly yearning duet 'Wecome Joy, adiue to sadness,' between Marmaduke and Lady Sangazure, nimbly voiced by uber-talents Stephen Maus and the stunning Pei-Chun Wang..."
-Rick Perkins, CTX Live Theatre
July 2018 - Il barbiere di Siviglia:
"In the smaller roles...baritone Stephen Maus stepped out of the chorus as the head policeman to get laughs without losing the musical line."
-Harvey Steiman, Aspen Times
August 2014 - Agrippina:
"Baritone Stephen Maus embodied the obsequious traits of Pallante, a vacillating member of the court, with confidence."
-Ken Herman, San Diego Story
November 2011 - Le nozze di Figaro:
“Taking on such a classic takes the measure of the young cast...they meet the challenge in fine voice and comic flair....Maus is at his best as the opera moves toward resolution, singing of his doubts as he suspects maybe Susanna isn't the victim he thinks she is....Each performer in the cast...hits the right comic and musical notes to leaven the complicated action.”
-David Dupont, Bowling Green Sentinel-Tribune
"It seems unfair to choose among some many exquisite moments of rapture, but here we go: The sweetly yearning duet 'Wecome Joy, adiue to sadness,' between Marmaduke and Lady Sangazure, nimbly voiced by uber-talents Stephen Maus and the stunning Pei-Chun Wang..."
-Rick Perkins, CTX Live Theatre
July 2018 - Il barbiere di Siviglia:
"In the smaller roles...baritone Stephen Maus stepped out of the chorus as the head policeman to get laughs without losing the musical line."
-Harvey Steiman, Aspen Times
August 2014 - Agrippina:
"Baritone Stephen Maus embodied the obsequious traits of Pallante, a vacillating member of the court, with confidence."
-Ken Herman, San Diego Story
November 2011 - Le nozze di Figaro:
“Taking on such a classic takes the measure of the young cast...they meet the challenge in fine voice and comic flair....Maus is at his best as the opera moves toward resolution, singing of his doubts as he suspects maybe Susanna isn't the victim he thinks she is....Each performer in the cast...hits the right comic and musical notes to leaven the complicated action.”
-David Dupont, Bowling Green Sentinel-Tribune